الاثنين، 21 نوفمبر 2022

A New Venue ..A New Challenge...for a New Way of Art

 





A New Venue...A New Challenge...for a New Way of Art

 Memories, reminiscences, fancies, myths, illusions, and superstitions 

"are all worthy of art".  

They are venues for the soul to dive into ways to recreate reality or beautify fantasies. 

We all like these venues. 

Our minds make up stories, legends, and sometimes facts out of those. 

At a certain time, our minds prefer working on beliefs for checking their genuineness, authenticity,

and accuracy. 


I think it is a turning point in oneself.  

For years and years, I have used to draw according to certain ideologies and traditions. 

Three years ago, I decided to find out my own tradition, discover my ideology, explore new techniques,

forming my own artistic identity.     


Having One's Tradition is a matter of importance. It has principles of aesthetics. 

It is built on my own philosophy. 

It is obtained by great work. It involves a sense that means a lot to me. It has certain perceptions touching

something valuable to me. It covers the period of my full maturity It has its own creative and critical skills.


It is a long journey full of joy, the abundance of sacred holy beliefs to transform from a representational

method to an abstractional one. 



Wow...

I am ready to dive into a new venue with the lights of some Saudi artists like you. 

 


Click here 

Or here 

الأربعاء، 16 نوفمبر 2022

Baka in the Bible






The name Baka is specifically mentioned in the Bible in Chapter eighty-four of Psalms. This chapter tells us about a sacred place for which souls yearn, hearts and flesh sing for joy to the living God and God’s praise is sung. This place is called “the Valley of Baca”. Baca is described as a dry place which was made into a place of springs in the vicinity of tents. A day there is better than a thousand elsewhere. 


“How lovely is your dwelling place, Lord Almighty?  My soul yearns, even faints, for the courts of the Lord; my heart and my flesh cry out for the living God. Even the sparrow has found a home, and the swallow a nest for herself, where she may have her young—a place near your altar, Lord Almighty, my King and my God. Blessed are those who dwell in your house; they are ever praising you. Blessed are those whose strength is in you, whose hearts are set on pilgrimage. As they pass through the Valley of Baka, they make it a place of springs; the autumn rains also cover it with pools. They go from strength to strength, till each appears before God in Zion. Hear my prayer, Lord God Almighty; listen to me, God of Jacob. Look on our shield, O God; look with favour on your anointed one. Better is one day in your courts than a thousand elsewhere” (Psalms 84: 1-10).


Makkah is also referred to as “Paran” in the Bible. Ishmael and his mother Hagar settled in the desert of Paran after Abraham left them.

“And God heard the boy crying, and the angel of God called to Hagar from heaven and said to her, ‘What is the matter, Hagar? Do not be afraid; God has heard the boy crying as he lies there. Lift the boy up and take him by the hand, for I will make him into a great nation.’ Then God opened her eyes and she saw a well of water. So she went and filled the skin with water and gave the boy a drink. God was with the boy as he grew up. He lived in the desert and became an archer. While he was living in the Desert of Paran, his mother got a wife for him from Egypt” (Genesis 21:17-21).


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تكوينات الفنان التشكيلي نهار مرزوق Nahar Marzooq's Compositions

 



Nahar Marzooq's traditional Compositions, related to the most prestigious Islamic icons, are real reflections of representational techniques following Paul Cézanne's impressionist forms of expression through planes of color and repetitive, exploratory small brushstrokes.

His Instagram:









نهار مرزوق فنان أمتعنا كثيرًا، وقدّم لنا المدرسة التأثيرية بروحه المرحة الشغوفة المتعاونة المبدعة فامتزجت تلك الروح مع ألوانه وتكويناته فأخرج لنا فنًا مميزًا واتجاهًا مبدعًا وطرحًا فريدًا، نهار من أوائل من قدّم لنا لوحات كبيرة وجداريات متسعة على أسطح متنوعة برزت فيها الرموز الإسلامية بألق وجمال مذهل عبر مواقع تواصله، أعطى وما زال يعطي بسخاءٍ للفن وأهله. نهار ليس تشكيليًا فحسب بل هو خطاط ومهني من الطراز الأول يصنع ألوانًا وشبولونات وتكوينات خاصة به ليجعل فنه محفورًا في ذاكرة المتلقي وخالدًا في سجل فناني رؤية المملكة العربية السعودية ٢٠٣٠.

  

مقال عن الفنان نهار مرزوق


السبت، 5 نوفمبر 2022

The Sea Is History by Derek Walcott

 















The Sea Is History

 - 1930-2017

Where are your monuments, your battles, martyrs?
Where is your tribal memory? Sirs,
in that grey vault. The sea. The sea
has locked them up. The sea is History.

First, there was the heaving oil,
heavy as chaos;
then, like a light at the end of a tunnel,

the lantern of a caravel,
and that was Genesis.
Then there were the packed cries,
the shit, the moaning:

Exodus.
Bone soldered by coral to bone,
mosaics
mantled by the benediction of the shark's shadow,

that was the Ark of the Covenant.
Then came from the plucked wires
of sunlight on the sea floor

the plangent harps of the Babylonian bondage,
as the white cowries clustered like manacles
on the drowned women,

and those were the ivory bracelets
of the Song of Solomon,
but the ocean kept turning blank pages

looking for History.
Then came the men with eyes heavy as anchors
who sank without tombs,

brigands who barbecued cattle,
leaving their charred ribs like palm leaves on the shore,
then the foaming, rabid maw

of the tidal wave swallowing Port Royal,
and that was Jonah,
but where is your Renaissance?

Sir, it is locked in them sea-sands
out there past the reef's moiling shelf,
where the men-o'-war floated down;

strop on these goggles, I'll guide you there myself.
It's all subtle and submarine,
through colonnades of coral,

past the gothic windows of sea-fans
to where the crusty grouper, onyx-eyed,
blinks, weighted by its jewels, like a bald queen;

and these groined caves with barnacles
pitted like stone
are our cathedrals,

and the furnace before the hurricanes:
Gomorrah. Bones ground by windmills
into marl and cornmeal,

and that was Lamentations—
that was just Lamentations,
it was not History;

then came, like scum on the river's drying lip,
the brown reeds of villages
mantling and congealing into towns,

and at evening, the midges' choirs,
and above them, the spires
lancing the side of God

as His son set, and that was the New Testament.

Then came the white sisters clapping
to the waves' progress,
and that was Emancipation—

jubilation, O jubilation—
vanishing swiftly
as the sea's lace dries in the sun,

but that was not History,
that was only faith,

and then each rock broke into its own nation;

then came the synod of flies,
then came the secretarial heron,
then came the bullfrog bellowing for a vote,

fireflies with bright ideas
and bats like jetting ambassadors
and the mantis, like khaki police,

and the furred caterpillars of judges
examining each case closely,
and then in the dark ears of ferns

and in the salt chuckle of rocks
with their sea pools, there was the sound
like a rumour without any echo

of History, really beginning.


The poem reflects many Biblical references found in the Holy Quran. The Bible and Quran are Faith. let's agree that God is One. All the prophets are His Messengers.

“And they said we have killed the Messiah Jesus son of Mary, the Messenger of God. They did not kill him, nor did they crucify him, though it was made to appear like that to them; those that disagreed about him are full of doubt, with no knowledge to follow, only supposition: they certainly did not kill him. On the contrary, God raised him unto himself. God is almighty and wise.” (Quran 4:157-158)

Here is the complete story of  Messiah Jesus son of Mary

click to listen to the story






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