A Journey Through Time in Visual Art: Connecting Cultures in the 21st Century
HERE IS My Journey Through Time in Visual Art AS A Revival of the Early 21st Century History and the Gentle Knocking on the Doors of the Third Millennium.
Art possesses a timeless human message, fostering peace and understanding across the globe. It's a vital part of a nation's identity and a powerful tool for cultural diplomacy. Art transcends boundaries, captivating the eye, imparting profound knowledge, and even offering healing. It's a conversation that refines morals and purifies hearts, and today, it serves as a crucial language of dialogue between peoples and nations.
In the third millennium, art, in its diverse forms, has become an essential means of cultural exchange. Nations showcase their art and culture to the world, conveying visual messages rich in cultural and social context. This fosters intellectual dialogue, cultural exchange, and an appreciation for aesthetics and beauty. It reflects traditions and values, providing a platform for artists to connect, share experiences, and develop their talents. Every artist should seize these opportunities to contribute their work and vision.
Invited by my instructor, Catharin Dalpino, to participate in a panel discussion, I decided to concentrate on art as a powerful and trusted means of representing my country's culture in visual art to a diverse international audience. Our conversation will center on two key areas: Islamic and Saudi art and the motivations behind artistic creation and participation in exhibitions.
Islamic Art: A Tapestry of Influences
Born from cultural blending, Islamic art has evolved into a global art form, weaving diverse influences into a unique identity from Spain to India. It reflects the unifying spirit of Islam, connecting people and cultures. Given the Western world's emphasis on history and roots, it's essential to understand these influences. Islamic art's distinctive style blends diversity and harmony. It draws from Pharaonic art's geometric and floral motifs, Roman and Byzantine art's mosaics and columns, Persian art's domed ceilings, glazed ceramics, and miniatures. The Ottomans further developed calligraphy and architectural ornamentation, notably the Byzantine-influenced mosque designs with massive domes. The Mongols introduced Indian and Chinese elements, including precious stones, miniatures, and tiered domes, as seen in the Taj Mahal. Islamic art merged with Gothic and Romanesque European styles in Andalusia and Sicily, creating multi-lobed arches and plaster decorations, exemplified by the Alhambra and Palermo Cathedral. This influence extended to India through the Muslim Mongols and China via the Silk Road, where Chinese art impacted Islamic ceramics. Islamic art is intertwined with local African art, notably Mali and Songhai, resulting in unique mud architecture like Timbuktu. The Timurid and Seljuk dynasties also contributed significantly to Islamic architecture, creating magnificent domes and decorative ceramics, as seen in the mosques of Samarkand and Isfahan. Thus, Islamic art reflects the fusion of civilizations, embodied in stunning architectural and ornamental works from Spain to China and Central Asia to Africa, a testament to human creativity within the Islamic world.
The uniqueness of Saudi Art:
Saudi Arabia itself boasts a rich artistic heritage. Archaeological sites across the country, dating from 7000 to 1000 BC, reveal a visual history of architecture, engraving, and sculpture, connecting ancient civilizations to modern Saudi Arabia. These discoveries often occurred during oil and mineral exploration. The land has been home to numerous ancient cultures, including the Thamudic civilization, and is renowned for its rock carvings in the north. The Nabateans, including Tabuk, left their mark at Madain Saleh (Al-Hijr). In central Arabia, the Kingdom of Kinda flourished in the archaeological village of Al-Faw. The Hima cultural site in Najran contains rock art and inscriptions from 7000 to 1000 BC, showcasing the region's rich history. The advent of Islam in 622 CE and the Prophet Muhammad's ﷺ migration to Medina marked a new chapter. The establishment of the First Saudi State in 1727 ushered in a period of continuous development, reflected in the beauty of Saudi architectural arts.
The Saudi Ministry of Culture has launched several important initiatives to promote visual arts and preserve cultural heritage:
- Asir Biennale for Children's Art (2010): Nurturing young talent.
- Diriyah Biennale (2020) in the Jax area near Riyadh: A platform for contemporary art.
- Islamic Art Biennale in Jeddah (2023): Celebrating Islamic artistic traditions.
- National museums and historical palaces: Showcasing Saudi Islamic heritage, including the National Museum in Riyadh, the Jeddah Regional Museum (Qasr Khuzam), and the museums of the Haramain Shrines expansion.
Why We Paint: Exploring Artistic Motivation:
The motivations for creating art are diverse, from cave painters to professional artists and hobbyists. In the third millennium, art serves as a common ground for self-expression. Artists document essential moments, address social or philosophical issues, and explore individual and collective identity. Painting can relieve stress, engage mental and creative processes, and provide pleasure, contemplation, and relaxation.
Artists participate in local and international exhibitions for both material and spiritual reasons. They seek to share their country's culture with the world, hoping their art will resonate with viewers everywhere. Faisal Mateen, founder of the "Art for Cause" initiative in India, explained that his exhibitions aim to foster cultural exchange and support artists who lack international opportunities while promoting peace amidst political challenges. His work demonstrates how art can bridge cultural divides and connect people across borders. He informs:
This exhibition brings the world's art to a single platform. We did two offline shows simultaneously in Bhopal and London to ensure more people could attend. It benefits society as there is a cultural exchange, which leads to more art admirers and helps underprivileged artists to get a platform and showcase their art. This exhibition is a way to spread peace between countries with political issues. It was a great experience to witness art from around the world and see how people use their creativity.
Conclusion: Globalism Through Art
This historical background suggests that Saudi art has a unique identity, even among Islamic countries. It attains Globalism because of its uniqueness and representation. Therefore, Globalism for individuals means representing oneself, one's values, and culture with dignity, thought, and purposeful art. The rewards that follow are a gift. My greetings to all artists, whether professional, amateur or just beginning their artistic journey. Through art, we connect with each other, share our stories, and contribute to a global tapestry of human expression.
Fatimah's Art
المشاركة في معرض بوبال بالهند ومعرض لندن
Note: The historical parts of this article related to Islamic Art got a boost from OpenAI, but I've ensured everything aligns with my research and knowledge.
Fatimah Al-Sharif
Sponsored by Dr. Catharin Dalpino, the master of ECC,
Georgetown Neighborhood Library, Washington DC Saturday, 22 Feb 2025
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